Types Of Governance Models ( Yudhajeet Sinha ) - 1750 Words

TYPES OF GOVERNANCE MODELS (By Yudhajeet Sinha) 2.1. Mechanics of Governance The cardinal principle of mechanics of administration is that a compelling board ought to head each establishment, which is altogether in charge of the accomplishment of the association. The part of the board is to give .The board assumes a critical part of heading the association under the ambit of fitting administration and powerful controls that empowers dangers to be evaluated and oversaw . The board ought to work in the accompanying courses for sustenance of fitting system of the legislature : †¢ constructive test and molding suggestions on system †¢ making an itemized investigation of the execution of administration in gathering craved objectives and†¦show more content†¦Ã¢â‚¬ ¢ because it is all around appropriate. It lives up to expectations for associations that are new or develop, benefit or non profit(including government), and grieved or fruitful. †¢ because it is precisely created, it empowers a productive summing of expansive shrewdness fit for satisfactory control without micromanagement. 2.2.2. Reactions The vital part that administration plays is to decide what number of associations capacity. A meaning of influence is the courses of action, structures and authoritative customs that decide how power is worked out, how stakeholders have their say, how choices are taken and how chiefs are considered responsible. A great deal of genuine confirmations exist where works of non-benefits generally proceed notwithstanding flawed influence, and after that additionally the employment accomplishes. Yet there is likewise confirm that administering sheets can upgrade authoritative execution by understanding and undertaking the administration part in a way suitable for their specific association. They convey the general population (or client) trust and give a responsibility structure to administration. The imperativeness of influence develops as the level of open premium and interest in an association develop. Not a solitary flawless model really exists. Few non-benefit associations utilize the conventional model where the

The Physics Of Atomic Force Microscopy - 1259 Words

Abstract Atomic Force Microscopy was the method used to analyze samples inorder to identify their surface composition and determine their top structure. Compiled data was used to calculate the roughness of the sample. Introduction Atomic Force Microscopy is a powerful tool used to identify the surface structure of a solid by contouring the top layer with a sharp tipped probe and amplifying the hills and troughs via laser reï ¬â€šection and detection. Piezoelec-tric materials are used to ï ¬ nely tune the x and y distance parameters, and a harmonic oscillator is utilized in close contact mode to move the cantilever in the z direction. A Scanning Probe Microscopy program processes the data and calculates the roughness of the sample Background Gustav Schmalz designed the first Optical Profiler in 1929 in Germany. He ran a probe attached to a cantilever across the surface, shined white light to a mirror attached to the probe, and amplified the signal to photographic film. The film was exposed to the reflected light of various wavelengths, causing multiple colors to show up on the film, corresponding to varying heights on the surface. This older design was subject to possible bending or crashing of the probe, causing a much lower resolution of the surface on the film. Refer to Figure 1.Show MoreRelatedPhysics : Atomic Force Microscopy1429 Words   |  6 PagesATOMIC FORCE MICROSCOPY 1. Introduction to Atomic Force Microscopy An atomic force microscope (AFM) is a type of scanning probe microscope (SPM). An AFM uses a cantilever with a probe to scan over a sample’s surface. The probe is a sharp tip (3 to 6 ï  ­m pyramid; 15 to 40 nm end radius) such as the one shown in Fig. 1. 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The SEM images of Cobalt iron film exhibited nano crystallized structure and the variation of granular size as a functionRead MoreStructural And Electrical Properties Of Pva Ag Nanocomposite Films1738 Words   |  7 PagesEl-Kader *, Physics Department, Faculty of Science, Suez Canal University, Ismailia, Egypt ABSTRACT In the present work, PVA-Ag nanocomposite films with thickness 0.18 mm, constant silver content (0.4 wt. %) and with different time of reaction (0.1, 3, 5, 7, 9 h) were prepared by chemical reduction method. Structure, surface topology, photoluminescence and electrical properties of PVA-Ag nanocomposite were studied using x-ray diffraction (XRD), electrometer, atomic force microscope (AFM)Read MoreUsing Graphene And Its Effects On The Environment2317 Words   |  10 Pages CHAPTER-3: Properties2.1. Form and structure Delocalized electrons in favor of the network. 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Structure, surface topology, photoluminescence and electrical properties of PVA-Ag nanocomposite were studied using x-ray diffraction (XRD), electrometer, atomic force microscope (AFM)Read MoreEnhancement Of Optical And Electrical Studies On Pva Ag Nanocomposite Films2347 Words   |  10 Pages xxxxxxxxxxx Physics Department, Faculty of Science, Suez Canal University, Ismailia, Egypt ABSTRACT In the present work, PVA-Ag nanocomposite films with thickness 0.18 mm, constant silver content (0.4 wt. %) and different time of reactions (0.1, 3, 5, 7, 9 h) were prepared by chemical reduction methods. Surface topology, optical and electrical properties of PVA-Ag nanocomposite were studied using absorption spectroscopy, electrometer, atomic force microscope (AFM) and photoluminescenceRead MoreEffects Of Point And Line Defects On The Properties Of Graphene9719 Words   |  39 Pagesare inevitable at the time of production can alter the structural properties of any engineering materials. Developing graphene with specific structural properties depends upon controlling these defects, either by removing or deliberately engineering atomic structure to gain or tailoring specific properties. In the present article, a comprehensive review of defective graphene sheets with respect to its mechanical and thermal properties are presented and examined. Key Words: Graphene; point defects; lineRead MoreThe Theory Of Graphene On Science And Future Electronic Technology1905 Words   |  8 Pagesgraphene held together through weak Van der Waals forces.6 â€Å"Few-layer graphene† (very thin films of graphite, called FLG) was produced as early as 1948 by G. Ruess and F. Vogt7 but single-layer graphene, a single carbon atom thick, was not isolated successfully until 2004 at the University of Manchester by Andre Geim and Kostya Novoselov.1 Their work was published in the highly influential journal Science, and was subsequently awarded the Nobel Prize in Physics in 2010, for â€Å"ground-breaking experiments regardingRead MoreThe Effect Of Carbon Nanotubes On Other Fields Of Materials Science2155 Words   |  9 Pagesof sp2 bonds, like the ones seen in graphite. This bonding structure, stronger than the sp3 bonds found in diamond, provides the molecules with their unique strength. Nanotubes naturally align themselves into ropes hel d together by Van der Waals forces. Under high pressure, nanotubes can merge together, trading some sp2 bonds for sp3 bonds, thus acquiring great possibility for producing strong, unlimited-length wires through high-pressure nanotube linking. 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College Athletes And Fans Support Their Sports Team

Each season college students and fans support their sports team in hopes of a National Championship Title. They purchase season tickets, team clothing, and expensive sports packages from television providers in order to watch their team from afar. This generates a lot of cash for universities and retailers. Ed O Bannon was a college basketball star. In the 1994-95 season, he led his UCLA team to a national championship. He scored 30 points and grabbed 17 rebounds in the championship game, and was named the nation s most outstanding player. These days O Bannon coaches a high school basketball team and sells cars in Las Vegas. But O Bannon s college glory days live on. He can still be watched making the shot that clinched the national title in television rebroadcasts of classic games. His image is sold on trading cards and in video games. O Bannon s college image is still making money for the NCAA through licensed merchandizing. Now O Bannon is suing the NCAA for a part of those profits. To fully understand why this is such a hot topic, one must understand college student athletes as amateurs and why it is important to understand the basis for NCAA in college competition. In order for college students to be granted eligibility as an athlete, they must certify as amateurs and sign a consent form. All student athletes are required to adhere to NCAA amateurism requirements in order to remain eligible for college competition. 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Division 1 athletes have it all: the glory of representing the school’s colors and honor, the pretty girls, televised games, and most have room and board along with classes paid for. Some think that all this is not enough for these young players; they deserve to be paid for their dedication and hard work. This is a very controversial topic because there is such a fine line between professional athletes and amateur athletes. CollegeRead MoreLarge Salaries of Pro Athletes Negative Effects on Athletes and Sports1574 Words   |  7 PagesLarge Salaries of Pro Athletes Negative Effects On Athletes and Sports Abstract This paper will explain the effects of the luxury contracts of athletes on sports as well as the athlete. The debate is whether the effect is a negative effect or not. This paper will aim to show how the contracts of athletes have changed significantly over time. 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College athletics have been around for a long time and always been worth a good amount of money. This billion dollar industry continues to grow in popularity and net worth, while they continue to see more and more money come in. The student-athletes who they are making the money off of see absolutely none of this income. It is time that the student-athletes start to see some of

Falstaff Essay Example For Students

Falstaff Essay Falstaff: Lion or LoonIn Maurice Morgans ?The Dramatic Character of Falstaff?, he gives us a critical interpretation of the Shakespearian character, Sir John Falstaff, looking at him from every point of view but a Laymans one. He summarizes Falstaff incompletely, including quotes from Henry IV, Part Two and not as much from Henry IV, Part One, which gives more information about ?Old Johns? character (in the first scene with Falstaffs character) from the beginning, but rather stays focused on what leads to his tragic fate. Morgan starts by giving us his thesis statement, which is questioning of whether Falstaff was a coward or if he was a courageous character. This is what I thought the article would be mainly explaining; I was wrong. Morgan seems to go off on tangents, placing Falstaffs character in weird positions by comparing and making relations between other characters in Shakespeares historical plays. He makes an odd point by telling the reader to look at every man as two charac ters, rebuttaling what his goal for the essay is to be. ?Every man we may observe, has two characters; that is, every man may be seen externally, and from without;- or a section may be made of him, and he may be illuminated within? (Morgan 88). There were good points too, like when he defines what courage and cowardice were in Shakespeares time, which I thought was very educational: ?Personal courage may be derived, especially after having acknowledged that he seemed to have deserted those points of honour, which are more peculiarly the accompaniments of rank. But it may be observed that in Feudal ages rank and wealth were not only connected with the point of honour, but with personal strength and natural courage?(Morgan 88). I have to say, Morgan does do a wonderful job of concluding Falstaffs actions with his witty personality and need for attention but as soon as he tries to get back to the subject of ?coward or courageous?, he then changes to another topic. This was very frustrating since Morgan made some excellent points but seemed to have his ideas disorganized. In the end of his essay, I was holding out to read if Morgans evaluation had a good ending decision of Falstaffs ?coward or courageous? character; it didnt. I was very disappointed since I had read all of his points and was waiting for the finale. Morgan concluded his essay with a confusing whimper and not an answering bang. Morgan writes, on which the reader is left to bestow what character he pleases? (Morgan 93). In my opinion, this is slightly rude since Morgan faced us with a question and did not even have the ?courage? to answer it himself. All in all, I believe Morgan has an excellent grasp on Falstaffs character in the later plays, b ut missed Prince Hals great description in Henry IV, Part One making me question his expertise on the subject matter. By the end of reading this interpretation, I felt like I had just gone through an intellectualized mess of words that I was left to organize for review. Someone should tell Maurice Morgan that most of his readers are students and not super-intellectuals. As for Falstaff, I thought he was a very concentrated character whom, like any real person, has many sides to them. This is why, to me, Shakespeare was a great writer; he knew the human spirits goods and evils and how these things are what makes us thrive and gives us dimensions. These dimensions are what Falstaff has plenty of (no pun intended) in his characterization. I would hate to say that Falstaff is a coward. By the end of Henry IV, Part One, he is the man/character that makes the people laugh the most and so they make a personal connection with him. Because of this, it is hard for any audience to label him with a shameful name since he has given them a few instances of happiness. Also, I have questioned if Shakespeare wrote Falstaff to only be a comedic character, releasing him from being a tragic or hero, since most valiant people that he portrays sound a lot healthier than Falstaff. In conclusion, I believe that Morgan has written a good work but not great. For students inf ormation, I would only use this essay for a few references of Falstaffs character but not for a complete reference and not for a critical review (only if you are into self abuse). Morgan, Maurice. ?The Dramatic Character of Falstaff?. .u04424813f9ad001d8bd01a3c87d162ac , .u04424813f9ad001d8bd01a3c87d162ac .postImageUrl , .u04424813f9ad001d8bd01a3c87d162ac .centered-text-area { min-height: 80px; position: relative; } .u04424813f9ad001d8bd01a3c87d162ac , .u04424813f9ad001d8bd01a3c87d162ac:hover , .u04424813f9ad001d8bd01a3c87d162ac:visited , .u04424813f9ad001d8bd01a3c87d162ac:active { border:0!important; } .u04424813f9ad001d8bd01a3c87d162ac .clearfix:after { content: ""; display: table; clear: both; } .u04424813f9ad001d8bd01a3c87d162ac { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u04424813f9ad001d8bd01a3c87d162ac:active , .u04424813f9ad001d8bd01a3c87d162ac:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u04424813f9ad001d8bd01a3c87d162ac .centered-text-area { width: 100%; position: relative ; } .u04424813f9ad001d8bd01a3c87d162ac .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u04424813f9ad001d8bd01a3c87d162ac .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u04424813f9ad001d8bd01a3c87d162ac .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u04424813f9ad001d8bd01a3c87d162ac:hover .ctaButton { background-color: #34495E!important; } .u04424813f9ad001d8bd01a3c87d162ac .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u04424813f9ad001d8bd01a3c87d162ac .u04424813f9ad001d8bd01a3c87d162ac-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u04424813f9ad001d8bd01a3c87d162ac:after { content: ""; display: block; clear: both; } READ: Immanuel Kant - Enlightenment EssayEd. Bloom, Harold. Falstaff: A Critical InterpretationChelsea Publishing House, 1992